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b.
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The extended category imprint: |
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b. 1
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE1 the missing introductory indications are one of the many oversights in the initial fragment of the Sonata's finale. They were added in EE2. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 2-8
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE1 these bars include only 2 arpeggio marks, at the beginning of bar 6 and 8. The engraver's patent oversight was corrected in EE2. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 2-12
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the ascending passages in bar 2, 4, 10 and 12 Chopin entered accidentals into A only in the first half of each bar, considering them valid also later on in the bar, next to notes placed an octave or two octaves higher. All the necessary accidentals were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 2-4
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE the Sonata was edited by Brinley Richards; among others, he developed the fingering. We do not include his fingering version in the main text, as it is obviously inauthentic, while in the EE transcriptions we reproduce it using a smaller font in italics, reserved for fingering digits added by editors. In many places, e.g. in bar 16, the fingering was complemented or changed in EE2. On each page of the transcription, the notes concerning this fingering version can be found by selecting the "Fingering" tab from the "Notation" list. category imprint: Differences between sources issues: EE revisions |
from A
in 
